The first thing we learned was that all our choreography presupposed arcs several seconds longer than the ones we got....but much more important, assumed a much smaller amount of lateral drift than we had, with every arc.
You never knew whether Kathleen would lurch left as she went weightless, or gently right....or forward or back. But the instants of total stasis we had been expecting and hoping for just were never an option.
She basically partnered each parabola in a duet with the experience, using many of the preconceived ideas and phrases we had prepared, but adapting them on the fly to the constant change she was experiencing. I think Jim did a truly incredible job of capturing unpredictable movement in a small frame, while keeping track of his own position and his own neighbors' flying feet. Between us, we accomplished what we set out to do: made choreographic discoveries, experienced zero-g kinesthetically deep in our bones, got some images that will help us with promotion.....and I confirmed for myself and proved to others that zero gee dance is going to be beautiful almost beyond imagining, the next great art form. That's a proud thing to finally know in your cells, as well as you always knew it in your mind.
The stars are here....